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1
Possibly another tenuous link however I decided to look at 18th century black glass bottles to see if I could see a link and quite bizarrely the second link I clicked on as an 'ooh that looks vaguely similar'  mentioned Kirkcudbright!

Bonhams description says (my bolding):
Quote
'A sealed onion wine bottle, dated 1745
Of dark-green tint, the compressed globular form with a short tapering neck applied with a wide string rim, applied on the shoulder with a moulded seal inscribed 'W Stinton 1745' within a circular solid-line border, kick-in base, 18.5cm high, 16cm diameter (small chip to seal)
Footnotes
Another example of this rare bottle with an identical seal is recorded by David Burton, Antique Sealed Bottles, Vol. 2 (2015), p. 626 with a note that it was discovered in an antique shop in Kirkcudbrightshire, Scotland (see British Bottle Review no. 34 (1987), p. 25). This or possibly another specimen is illustrated by Willy van den Bossche, Antique Glass Bottles (2001), p. 94, pl. 42. Burton notes that the date 1745 is unusually late for an onion shaped bottle.'

https://www.bonhams.com/auction/22839/lot/22/a-sealed-onion-wine-bottle-dated-1745/

The thing is my 'linen smoother' is completely very shiny black, not even a hint of green/olive green to the eye.  I had to get someone else to hold it over and close to/right on the bulb of a very strong light to get that smallest part of show through to photograph.   I know it's solid v a sealed glass bottle but that bottle is double walled to the eye and described as 'dark green tint'. My linen smoother couldn't be described as dark green tint at all.
2
A publication from 1896 where on page 96 there is a discussion about box irons etc to use for smoothing linen.  The writer says the box iron is as old as at least 1746.
https://www.google.co.uk/books/edition/Notes_and_Queries/AiX4qzn9i0MC?hl=en&gbpv=1&dq=sleek-stone&pg=PA96&printsec=frontcover

Obviously I appreciate there will have been timeline crossovers of implements etc. and that because a new one begins it doesn't mean an old automatically ends.

 There is also mention of sleek stones but no real descriptions of what they look like (i.e. handled v not)

Ekimp - if you (or anyone is still reading my ramblings   :-[ ) the question I'd remembered was actually from the Warrington Museum saying they had a piece with the appearance of a 'claim' to be a sleek stone dated 1607. Author said it weighed 25 1/2 pounds and wondered if there were others around.
3
yes did wonder  ;D - because I think  I read somewhere in a report about Kirkcudbright in Scotland a phrase something like ' everyone had guns then'.  I just can't remember where I read that and what time period it was referring to.  So I did wonder if it might refer to that - I know nothing about this so no idea but thought perhaps it was something everyone did at the time :o.
I think it might have been when I thought the donor was referring to William Bell snr and so would have been early 1800s.  However if William Junior was the one who in 1881 said his dad used it for mixing saltpetre and sugar, then he was talking mid 1800. He was born 1845 and his dad died 1861.  Mr Hamilton casually threw the information in to his letter that it was knocking about the farm and his dad used it for mixing the two.


There was another black glass one for sale here - also with what appears to be damaged top.
https://www.worthpoint.com/worthopedia/18th-century-black-glass-linen-275965599

They all have what appears to be damaged tops.  I think it must be where they were snapped off the pontil rod.

There are  two in the York Museums Trust.  One appears to have a flattish top (snapped of pontil mark?) but a more rounded top as though it hasn't been damaged at all
https://www.yorkmuseumstrust.org.uk/collections/search/item/?id=45001532&search_query=bGltaXQ9MTYmQ0wlNUIwJTVEPVNvY2lhbCtIaXN0b3J5
4

I'm a bit confused about the sugar and salt petre mixing using the same implement but then I'm not a chemist.
I believe those two ingredients mixed in the correct proportions are explosive (but I’m not googling it to check).
5
swedish speaker here: "grinding paint" (pigments) is the right translation here

Kerstin from Sweden

Thank you Kerstin.  Much appreciated.

I've been thinking about this paint grinding.  I wonder if it might have been used for grinding pigment for painting items/cups/vessels of glass - actually done at the glassworks.
6
1745 document with the name of Clownestanegill (a rill) by Gribdae burn
https://www.google.co.uk/books/edition/The_New_Statistical_Account_of_Scotland/9uk1AAAAMAAJ?hl=en&gbpv=1&dq=gribdae+farm+kirkcudbright&pg=RA2-PA5&printsec=frontcover

It was Clownestanegill the OS people had come to find in 1850 according to this
https://www.thenorthernantiquarian.org/2021/03/10/bombie/

and William Bell who told them about the stones.

7
Hmmm -
Apparently in the 1780s a Druidical temple of stones was broken up to build a bridge nearby Gribdae.
In the 1850s a Mr Bell of Balgreddan told the Ordinance Survey people of this:

https://www.thenorthernantiquarian.org/2021/03/10/bombie/

William Bell senior may have told William Bell F.S.A. his son, of this story and it has been misremembered by William Bell the son, or misinterpreted between him and Hamilton when reporting the story.

So ... IF the story is true of some kind of 'cairn of stones' being found,  perhaps that was Hamilton's interpretation of the story of the group of big Druidical stones being moved.  That could mean the black handled 'linen-smoother' donated by Bell was found when THAT move of Druidical stones happened so perhaps that takes it back to 1780 ish of the find. 

And given it was found when the Druidical temple was broken up - I wonder if it was buried and somehow  linked to the building of the Druidical temple stones in some way?

Off to look up Druidical temples  :o

Druidical temple example/info here:
https://bathgatehills.co.uk/cromlech-or-remains-of-druids-temple/

Having read this about druidical temples, it could just be that a heap of big stones were moved from one place to another in 1780 to make a drain. The reading of Hamilton has made a possible link to them being viking grave/burial possibly,  but it could just be that they were a heap of stones.  Still it could take the Gribdae 'linen-smoother' article back to 1780.  And if it was 'found' in 1780 then maybe it was made earlier.
8
Cagney thank you for that further information.  Much appreciated.  I think what I'm a bit surprised about is that neither the Stewartry museum nor the author of the Scottish Antiquaries proceedings written in 1878 had ever come across either the viking article or the one from Gribdae farm and did not know what either were.

It also seems that when the handled one was donated to the Stewartry museum (presume pre 1861 as the donor was dead by then) no one knew what it was then either. 
So if these were in such normal every day use as linen smoothers I might have presumed they would have known what they were. 
The donators father (who had died in 1835) had been using it to grind sugar and salt and even if one assumes the story about the cairn find might not be true he surely wouldn't be donating a well known item for the era and pretending it was something else - surely someone would have realised?

And I do think the donor obviously thought it was something interesting and special otherwise why would he have taken it to the museum? He obviously donated it decades before the viking article was written about so it wasn't to do with jumping on a bandwagon.  The description of his farm sounds as though he was quite well off and the farm was very large.  I know that memories can be opaque and the wording of the Stewartry letter to the Society does appear to put 2 and 3 together and come up with 4 to make the situation fit a 'viking' cairn find but it could well be that William Bell did find it under a heap of stones.  Just that it wasn't a viking find.

Correction and apologies.
I think the William Bell who donated this might have been a F.S.A. and might have been the son of the father William Bell who died 1861.
Detailed information here on William Bell and his Father William Bell

http://www.kirkcudbright.co/kirkcudbright/lands.asp

and some here

https://www.findagrave.com/memorial/136491675/william_bell

So the donation may have been recent to  Hamilton (1881 ish when his letter was written to the Proceedings).  Hamilton wrote in his letter to the Proceedings in present tense I think.
https://www.google.co.uk/books/edition/Proceedings_of_the_Society_of_Antiquarie/ll52di4ljB0C?hl=en&gbpv=1&dq=gribdae+linen+smoother&pg=PA372&printsec=frontcover

And given I think William Bell might have been a Fellow of the Society of Antiquaries, it could well have been a 'ah, I have something like that at home!' moment after he'd seen the information from Dec 1878 re the medieval one without a handle.
Anyway, the son William Bell was born in 1845 and so was possibly 36 if it was donated to the museum in 1881 by him.
He was 15/16 when his father William Bell died in 1861. If we assume the account of the find was given by W.Bell the son,  to Hamilton in 1881 ish and he accounted that it had been found 40 or so years ago that would have been before he was born. 
He also accounted that he remembers his father using it to grind sugar and saltpetre - so a memory of before he was 16 in childhood but that was potentially only 20 years prior to the donation (assuming 1881).
He also apparently accounted that it was found digging a drain but the account from Hamilton does say Bell remembered talk about another drain being found on Gribdae.  It all sounds a bit apochryphal on re-reading  the letter from Hamilton.

I'm a bit confused about the sugar and salt petre mixing using the same implement but then I'm not a chemist. 
9

And the link from the thread to the online museum digital collection Norway I think showing the one glass item with handle, all the others without.  There was discussion on the thread about whether it was used for paint (the translation said 'stripping' but I wonder if that was about mixing or grinding paint and something lost in my translation?)
https://digitaltmuseum.no/search/?q=glattestein&o=0&n=108

swedish speaker here: "grinding paint" (pigments) is the right translation here

Kerstin from Sweden
10
Could the big heavy ones be doorstops? The Bonhams one looks like it has a ring of wear at the widest point where it would contact a door. I have a 3kg dome shaped victorian dump “doorstop” that is not very easy to move without a handle, unless you kick it.

Ekimp, iirc somewhere in the Proceedings of the Society for Antiquaries Scotland (maybe 1879/80 when the handled item was shown in the letter from the Stewartry museum? ) there was also a letter from someone in another museum I think(??) saying they had a 25lb version and did they think that was a linen smoother. I'll search through again later and see if I can find that reference.
 
I think if it was a doorstop wouldn't someone have recognised it as such? 

This is all so odd that in 1880 ish no one recognised these objects. And even in 1861 or before re the handled one.
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